Pietro Generali (23/10/1773 - 03/11/1832), an Italian composer. The original name of his family: Mercandetti. Generali was born in Masserano (Biella) and died in Novara.
| Source: | The new Grove dictionary of music and musicians |
| Contributor: | Tassos Dimitriadis (picture 1) and Alberto Galazzo (picture 2) |
Requiem
| Period: | Early Romanticism |
| Composed in: | 1830 |
| Musical form: | mass |
| Text/libretto: | Latin mass |
Requiem (introitus, with "Grande Orchestra" – composed 1827-1830)
| Source: | Alberto Galazzo, Contributi alla bibliografia di Pietro Generali, Biella, 1981 |
| Contributor: | Tassos Dimitriadis
|
Lux aeterna
| Period: | Early Romanticism |
| Composed in: | 1830 |
| Musical form: | mass |
| Text/libretto: | Latin mass |
Lux aeterna (ex latin mass, with "Grande Orchestra" – composed 1827-1830)
| Source: | Alberto Galazzo, Contributi alla bibliografia di Pietro Generali, Biella, 1981 |
Libera me Domine
| Period: | Early Romanticism |
| Composed in: | 1830 |
| Musical form: | mass |
| Text/libretto: | Latin mass |
Libera me Domine (ex latin mass, "a cappella" – composed 1827-1830)
| Source: | Alberto Galazzo, Contributi alla bibliografia di Pietro Generali, Biella, 1981 |
Pie Jesus
| Period: | Early Romanticism |
| Composed in: | 1830 |
| Musical form: | mass |
| Text/libretto: | Latin mass |
Pie Jesus (ex sequentia Dies Irae, "a cappella" – composed 1827-1830)
| Source: | Alberto Galazzo, Contributi alla bibliografia di Pietro Generali, Biella, 1981 |
Messa funebre
| Period: | Early Romanticism |
| Composed in: | 1830 |
| Musical form: | mass |
| Text/libretto: | Latin mass |
Messa funebre (latin mass, "a cappella" – composed 1827-1830)
| Source: | Alberto Galazzo, Contributi alla bibliografia di Pietro Generali, Biella, 1981 |
Dies irae
| Period: | Early Romanticism |
| Composed in: | 1830 |
| Musical form: | motet |
| Text/libretto: | Latin mass |
Dies irae (sequentia, vocal with instruments, composed 1827-1830)
| Source: | Alberto Galazzo, Contributi alla bibliografia di Pietro Generali, Biella, 1981 |