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Stanislaw Moniuszko
1819 - 1872
Poland
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S. Moniuszko
Stanislaw Moniuszko (05/05/1819 - 04/06/1872), a Polish composer of operas, choral works, songs, etc., born in Ubiel.
Source:Grove's dictionary of music and musicians
Funeral Songs from music to Witolorauda
Period:Early Romanticism
Composed in:1842c
Musical form:songs
Funeral Songs from music to Witolorauda contains:
01. „Czy ci brakło”,
02. „Poszedł, gdzie cienie ojców wolały”
p3. „Widzim ducha, na wschód leci”
04. „Nie płaczcie po nim”
05. „Już się duch jego na Anafiel drapie”
Source:https://portalmuzykipolskiej.pl/en/osoba/4570-Stanislaw-Moniuszko/kompozycje/5066-funeral-songs-from-music-to-witolorauda
Totenmesse in D minor
Period:Romanticism
Composed in:1850
Musical form:songs
Text/libretto:Alojzy Feliński
Duration:14'27
Label(s):DUX 0720
Totenmesse in D minor written in 1850. Six Requiem songs to Holy Mass for the souls of the dead, for 4 vocal parts, chorus & organ in D minor.
It contains:
01. Kyrie (Largo) 03:33
02. Graduale (Maestoso) 01:19
03. Offertorium (Lento assai) 02:30
04. Sanctus (Largo) 02:06
05. Benedictus 02:23
06. Agnus (Non troppo lento) 02:36
Source:booklet of cd DUX 0720
Contributor:Dagny Wegner, Requiemvertonungen in Frankreich zwischen 1670 und 1850, Hamburg, 2005

♫ 01. Kyrie (Largo)
© DUX 0720


♫ 02. Graduale (Maestoso)
© DUX 0720


♫ 03. Offertorium (Lento assai)
© DUX 0720


♫ 04. Sanctus (Largo)
© DUX 0720


♫ 05. Benedictus
© DUX 0720


♫ 06. Agnus (Non troppo lento)
© DUX 0720
Requiem in d minor
Period:Romanticism
Composed in:1862
Musical form:mass
Text/libretto:Latin mass
Duration:19'57''
This Funeral Mass is written in 1862. Total time 19:57. The movements of the requiem are:
01. Requiem aeternam 4:09
02. Graduale 3:32
03. Offertorium 3:10
04. Sanctus 1:43
05. Benedictus 2:50
06. Agnus Dei 4:33
Contributor:Pentti Ruokonen
Bruckner's Requiem (1848–9) reveals, in its busy string figuration against slower-moving choral writing, persistent metrical patterns and organ figured bass, the influence of the Viennese masses of the late 18th century. Its modest length and faithful adherence to the Latin text make it entirely suitable for liturgical use. After the mid-19th century many important settings, including those of Schumann (1852), Moniuszko (1862), Saint-Saëns (1878) and Dvorák (1891), were conceived more in terms of the concert hall, inclining, by their grand scale and, in some cases, textual liberties, towards the oratorio, the most favoured sacred genre of the 19th century.
Author:Steven Chang-Lin Yu
Funeral mass in G minor
Period:Romanticism
Composed in:1871
Musical form:mass
Text/libretto:Latin mass
Duration:19'57
Label(s):DUX 0657
Funeral mass in G minor "Requiem" (1871) is for SATB soli, mixed choir and organ,
It contains:
01. Introitus: Requiem aeternam
02. Offertorium: Domine Jesu Christe
03. Offertorium: Hostias
04. Sanctus
05. Benedictus
06. Lux aeterna
Source:booklet of cd DUX 0657

♫ 01. Introitus: Requiem aeternam
© DUX 0657


♫ 02. Offertorium: Domine Jesu Christe
© DUX 0657


♫ 03. Offertorium: Hostias
© DUX 0657


♫ 04. Sanctus
© DUX 0657


♫ 05. Benedictus
© DUX 0657


♫ 06. Lux aeterna
© DUX 0657
Requiem aeternam
Period:Romanticism
Composed in:1890
Musical form:mass
Requiem aeternam for solo voices, choir and orchestra (1890).
Source:Robert Chase, Dies Irae: A Guide to Requiem Music, Scarecrow Press, Inc. 2003