This requiem contains:
01. Requiem & Kyrie 04:57
02. Dies Irae & Tuba mirum 07:54
03. Quid sum miser & Rex tremendae 04:34
04. Recordare 02:37
05. Oro Supplex & Lacrymose 05:10
06. Hostias 02:19
07. Sanctus 04:46
08. Agnus Dei 03:48
09. Et Lux perpetua 04:31
Source: | booklet of cd Cypres Records CYP7615 |
♫ 01. Requiem & Kyrie
© Cypres Records CYP7615
♫ 02. Dies Irae & Tuba mirum
© Cypres Records CYP7615
♫ 03. Quid sum miser & Rex tremendae
© Cypres Records CYP7615
♫ 04. Recordare
© Cypres Records CYP7615
♫ 05. Oro Supplex & Lacrymose
© Cypres Records CYP7615
♫ 06. Hostias
© Cypres Records CYP7615
♫ 07. Sanctus
© Cypres Records CYP7615
♫ 08. Agnus Dei
© Cypres Records CYP7615
♫ 09. Et Lux perpetua
© Cypres Records CYP7615
Alfred Bruneau said about his Requiem: "When composing this work I chose as the theatre for my reflections that long narrow gallery in the Louvre, hung with so many splendidly harrowing and symbolic paintings. There, the angels with their puffed-up cheeks, trumpeting out celestial appeals from these religious painting, gave mde the idea of writing a 'Tuba Mirum' based, not on a series of rapid brass tones, but rather on a succession of long equal notes: it was in this way that I decided that I could, after so many musicians, use the true liturgical theme of the 'Dies Irae', with two groups of trumpets, placed one to the right hand one to the left of the audience, each playing, one after the other, one only of the long equal notes. Having then harmonised this theme into a major mode, I thought that when delivered by the children, the harps and the invisible organ, it would descend upon the chanting crowd, paralysing with fear and despair, as the eternal forgiveness which we all must crave for our eternal faults. And it is this theme of forgiveness, of renewal of intense well-being in a live of work, from the first chords with their strongly marked contrasts of light and shade, to the final bars without words float soothed by the final bars where voices without words float soothed by the blissful promise of salvation, and vanish, murmuring into the air."
Source: | booklet of the cd: Requiem / Lazare Alfred Bruneau (BMG/RCA) |
French contributions to the genre of requiems from the later part of the 19th century include settings by L.T. Gouvy (1874) and Alfred Bruneau (composed: 1886, first performance:1896), both large-scale and technically accomplished, but insufficiently characterful to have survived in the repertory. In Bruneau's work, trumpets situated on either side of the auditorium present the 'Dies irae' plainchant in alternate notes, as a curious type of instrumental hocket.
Author: | Steven Chang-Lin Yu |